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Let's talk weather, writing, educational topics, humourous stories. Maybe some weird stuff...and photos of me in a fez. Follow the #fridayflash hashtag in the right hand margin (under the Labels heading) for a sampling of my flash fiction.
I typed some real shite at 6:30 this morning in an effort to pad the word count. I shall attach an excerpt from that for your reading *cough* enjoyment. Please don't think any less of me...
Anatoly was even more dejected than the previous night. He left the radio station, having barely spoken to Big Ben Murphy. He caught the number 17 bus downtown, to work another four hour shift at the diner.
His shift went well, as the harbour seemed quiet tonight and there weren’t many sailors or longshoremen dropping in for their gourmet offerings. They had enough time for Donovan to show him how to make ‘Toad in the Hole’. They fried up some sausages and wrapped them in bacon strips and then poured on the mixture of flour, milk and eggs. They baked this in the oven and could cut it up into eight portions. They reworked some of the thick, brown gravy made earlier in the day for hot turkey sandwiches by scraping off the hardened skin and adding chopped onions to the mix.
Donovan noted that they used to eat this back in England. Except that it came in a Yorkshire Pudding format where the sausage stuck out of the muffin like a greasy, brown phallus. Miller wanted these added to the breakfast menu to try to bring in some new customers.
Donovan also showed Anatoly something his mother used to make for him when he was a boy. He called it the ‘Golden Eye’ and it was very simply a slice of bread fried in oil with an egg in a pan. All he had to do was cut a hole in the centre of the bread and drop the egg into it space and let them fry up together, flipping it once to cook the other side. He would have to make this for David at breakfast time one day.
They sat down at a booth and ate their creations, getting up occasionally to collect money at the cash register or to pour more coffee for customers.
The cover illustrations of your books, especially the latest, Frostbitten, are beautiful. I'd like to know if you have any input into their design or are given a choice of covers. Or is it out of your hands?
I don't choose the art. In fact, with most of the covers, I don't see them until they're done. This is common with the "big" publishers. It's only with small publishers (or really big names) that the author gets a significant say in the cover art. It's a marketing decision, and I leave it to the pros.
Was there any commercial reason to start writing conventional crime fiction, as opposed to your established modern fantasy books? Did you pull your existing fans along to the new series or have you had to establish a new fan base?
I started Exit Strategy after my third Otherworld book was written and there was some concern because the first two hadn't sold as well as the publisher hoped. I was about halfway done the book when I sold Dime Store Magic and everything took off. A few years ago, my agent asked if I wanted to finish Exit Strategy, and I did. I read a lot of crime thrillers, so it would be my second choice of genre to write in and makes a nice change of pace.
I would like to know how easy it was for you to find a publisher for your werewolf series. Were you already published when you wrote them?
In my twenties I started working on novels, and would sporadically send out query letters and sample chapters, but never got anything more than a form letter rejection. So I gave up and concentrated on improving.
When I finished Bitten, I had an instructor look at it, to see how well I was progressing. He offered to recommend an agent, and things happened very quickly from there. Within a couple of months I went from being unpublished to having multiple book contracts. So it was a long empty road, with a very quick stop at the end!
What techniques do you use as an adult to capture the teen mind when writing YA fiction such as the Darkest Power Trilogy?
I don't simplify the story lines or the characterizations at all. I think that's important. Teens understand and enjoy complex characters, dark themes, etc. I do tweak the language, not for the audience, but to suit the younger narrators. In my first trilogy, there's no sexual content. Again, though, that's a reflection of the main character, who hasn't even dated yet, so it's not an issue. In short, then, to write for young adults, I just use a young adult main character and make sure she really is a teen--in her language, in her way of thinking, in the issues that concern her and the tools she has at her disposal.
The biggest challenge was that I'm a whole lot older than my main character. As a teen, I hated it when adults tried to write in a teen voice and it was painfully obvious that they were on the wrong side of thirty. Having a daughter in the right age group made that easier--I had a living subject to study and a built-in focus group.
When you were doing your degrees, were you writing? What did you put in place to give you the time to write?
Growing up, I never thought 'writer' was a valid career choice, probably because my parents didn't. They fully supported it as a hobby, but didn't think it was something you should plan to make a living at. So I went to university for psychology. As I was preparing for graduate school, though, I realized I was heading into a career that would leave me no time to pursue a dream of publication. So I switched gears and went into computer programming, which gave me a 9-to-5 job that paid the bills while I took writing courses, joined writing groups, and worked at improving my craft. I sold my first novel in 1999 (it came out in 2001) and started full-time writing in 2002.
Everyone talks about needing to have a web presence as an emerging writer. It seems to me that the most successful writers worked on their writing, got the book deal, and then worried about a web presence. What do you think?
For promotion, I'd urge them to find what they enjoy and do that, rather than taking everyone's advice on "what works" and spending a lot of money. Other than having a decent website (which is always worth the cost) nothing has been proven to absolutely increase your sales. So you do what you enjoy. Most of all, though, you work on the next novel. That's what will advance your career far more than any promotional efforts.
I would like to thank Kelley for taking time away from her busy schedule to provide in-depth answer to some really insightful questions. For more information about Kelley Armstrong, or her novels, please visit her website here. If you're interested in reading a PDF version of her Fall, 2009 newsletter available on her website, you can click here.
So what guy that grew up in the '70's didn't want to be the Fonz? Except in Canada, he would be ending his sentences in Eh?
What costumes would you pick? Feel free to throw your picks up on your blogs...
Have a great halloween tomorrow night. Watch out for creepy people.
I could continue on with more points, but I would be beating it to death. It's difficult to put into words the aura that a person like this emanates in a crowd. Yes, he was a charismatic and engaging speaker with some truly amazing ideas. But one got a sense of well-being from him and you couldn't help leaving his lectures with a desire to learn more. To push yourself beyond your comfort zone...
Anyway, I've prattled on too long. I realize that this post is probably of little interest to anyone but myself. And I would be surprised if any of you has read on long enough to get to this point.
In October of 2001, an exhibit of 350 pieces of his art work was exhibited in a church in London. About half of these were on sale. I saw a number of pieces that depicted either Christian or Buddhist themes but I couldn't afford to put out the money at the time. I now have two things to regret about that period of time. I should have engaged Dr. Havelka more in conversation and I should have purchased a piece of his art to remember him by. If you happen upon a person who touches your instincts in such a way, act on them and learn more. I may live another 47 years...perhaps I'll get a second chance to learn more.